Bughunt:292 (I think its 292!) 

Just finished the game. Truly epic stuff! I've never played user-generated content of such an incredibly (and consistently) high quality. This could easily be a commercial addon. Sure, there are a few glitches, and the fairly frequent crashes were a bit annoying, but it was bearable after all.

I contanstly wet my pants with all the detailed and well-thought areas, castles, dungeons. Some of them alone already warrant giving this a try. There are not only medieval-themed environments like in Oblivion, but also otherwordly and plainly weird ones.

The story is quite cool once it picks up. Surpringly philosophical. As I've already said earlier, nicely varied quests. I liked how they make proper use of the physics. For instance, in quite a few cases you have to manually drag objects around instead of the usual pickup->autoinsert behavior the game normally has. Or stack crates to reach higher ground and so forth.
It has a few puzzles (none too difficult, which I wasn't unhappy about), stealth moments, timed events. So the developers definitely tried to expand the scope of the original game. And successfully so, for the most part.

I also loved how they put little details here and there, be it corpses or skeletons and corresponding items placed in such a way that the player can imagine what those persons were doing or how they lived/died, or notes and diaries, and other 'personal' stuff. There are many new books like about the story of the world and all, like in Oblivion. I didn't read them, but the effort put into this is admirable

The design of caverns, dungeons and temples make exploration now actually rewarding, as each of them has at least one special item or nice location (vista), or even enemy, to discover; unlike Oblivion that didn't only ues the small number of underground levels a dozen times over, but also had most of them only contain useless junk for loot.

Finally there are many easter eggs and little nods (not only the developers' mugshots on the wanted posters). I discovered Sven's secret electro danceclub, a Cube tribute, and even the SureAI bunker with its Killer-Chicken. :D

Took me a good 50 hours. If one was to explore the map exhaustively for every dungeon and special item, i.e. do the Kinn, it would certainly add another 10 hours of gameplay. So basically like a full game.
Anyway, excellent stuff - one could even go so far as to call it a monumental effort by this small team. Highly recommended if you're into Oblivion. Btw. I'm not being paid for this. ;) 

geez, i feel i should give this another chance. :S it felt really hard when i played it though...

like i had no money and stuff was kicking my ass. :P maybe it was cause i played as a rogue character. if i made a regular fighter it would probably be easier. 

Four thousandth! 

Two things:
a) Make sure that you're in an area that's right for your level--the game gives you a suggested range, and can be tough at times (especially at the beginning), even if you stay within suggested areas.

b) Don't be afraid to turn the difficulty down. I played with it set at 25 for a while, when things got kind of tough, and I think I only have it back up to the 40-ish range now. Like negke said, it's just a fantastic game to explore and enjoy, and you shouldn't let difficulty issues stand in the way of that.

There are many new books like about the story of the world and all, like in Oblivion. I didn't read them, but the effort put into this is admirable

Some of the books I've read have been really, really astonishingly good, considering that this is a fan effort, and that they had to be translated from the German. I'm amazed.

If I can remember, the next time I play I'll see if I can pick out an especially good one and grab a few screenies or something. 

I played on standard difficulty. Never occurred to me I could have just lowered it a little... :S
Yeah, that's what I meant by slow start. I started to enjoy it more once I got reasonably powerful in combat and especially magic.

c) Don't make the same 'mistake' as I did and hoard potions and scrolls thinking they're too valuable and might come in handy later. Use them right away. There are so many of them lying around everywhere. I ended up having a shitload of them in my inventory and only realized they would have made my life much easier when I didn't need them anymore. Magic gems, too. Likewise, I only got to appreciate alchemy towards the end.
Also use the skill trainers early on. The higher your character level, the more expensive each training point becomes. But they can make for more solid start.

I think what helped me a lot was that I found a fairly powerful weapon early on. There's some good stuff in the dungeons.
The headhunter quests are good for money. But I think the real deal is, as usual, collecting all kinds of junk and loot (weapons and armor in particular) and load them off at merchants. 

You guys are really tempting me to play Nehrim earlier than I plan to. I'm trying to hold off though so I can catch up on some neglected games; especially on Steam - what's the use in buying games during previous sales if I don't even play them? ;_; 

Just a quick extra review of the sequel, Earned In Blood. Released just six months later, this really should have been as a cheaper addon pack or downloadable content. There is nothing new, no upgrades to design or gameplay.

Some of the levels are perhaps slightly better looking, but they're still the same bland, horizontal designs from part one. The gameplay, unfortunately, is much harder this time around.

Again with no way to regenerate your health or quicksave, the only way to play this game is meticulously, slowly and reloading from checkpoints a lot. It's very difficult even when you use the flanking idea behind the game because unfortunately your teammates' AI is hopeless a lot of the time. The weapons are all still just as inaccurate as part one, adding to the frustration.

Below average graphics and gameplay that's unbalanced make this a very skippable game. 

Better late than never =)

I've just started chapter 3 (so no spoilers please!) and from what I can tell this is doom 3 in 3rd person, but with a much more engrossing storyline and less corny dialogue.

The environments are pure sci-fi spaceship pornography and look fantastic, and special mention must go to the ambient sounds and general sound effects, just as in doom 3, they are fantastic and really add to the creepy vibe.

Gameplay seems to tick all of the boxes of doom 3 also, and unfortunately that also means monsters spawning out of "closets" and appearing behind you. The idea of shooting off body parts for a faster kill is novel and fairly enjoyable however.

Where it differs from doom 3 is in the quasi-rpg system it employs with your inventory, you have to pick up med kits and ammo are use them sparingly, as well as collect money and new item schematics that you can create and purchase in the various shops strewn about the maps. You can also find items that allow you to upgrade your space suit and weapons.

Controls (for the pc version at least) feel very clunky, special mention goes to the awful mouse look speed, even with it set to max the screen crawls along when you swing the mouse across the pad :P I imagine a gamepad works better but I have not tried it.

Overall though I am enjoying it so far, the sexy as hell environments and creepy atmosphere are keeping me going nicely :) 

Monolith has been responsible for some good underrated games. NOLF and its sequel are two of the most underrated first-person shooters in my opinion. I skipped their previous shooter, Contact J.A.C.K. due to below average reviews, but F.E.A.R. is another great release from the Washington based studio.

F.E.A.R. was met with a fairly positive reception, suprising consider the industries' criticism of games that bring nothing new to the table. And indeed F.E.A.R. really doesn't bring anything new. In fact, for pure single-player focused first-person shooters (which excuses Splinter Cel and Battlefield 2), F.E.A.R. is the top rated of 2005. Ahead of Call Of Duty and even Quake 4. But it's not without it's issues.

The biggest issue is the lack of finesse in the level design. Now the Lithtech engine, developed in-studio by Monolith, is a great engine. In fact the version of the engine (Jupiter EX) used in F.E.A.R. is still being used in shooters in 2011. The problem with F.E.A.R. is that it failed miserably on using the engines potential. Sure, they made good use of lighting as this is a definite strong point in the game. Although not as amazing looking as Doom 3, Quake 4 or Splinter Cell; it's not far off. Where F.E.A.R. lacks is, firstly in the texturing. Textures are plain, drab and dominantly grey throughout the game. Follow this up with abysmal level design. Constantly throughout the game you'll be walking through plain four-brush corridors with a scattering of prefabs such as barrells and pipes. Follow this up with a room, then another corridor or two leading to the next room. All the while looking horribly unfinished in the detailing department. There are no complex angles, no extravagent architecture. This is level design 101, to the point where you could take just about any level in the game, for instance one of the far too many office levels, put some drab brown wood textures in there, and suddenly it's a warehouse complex.

As mentioned each room has a couple of routes to get in and out. The upside is enemies can also use either route to attack, so it's sets up for good gameplay. However it gets repetitive very fast and confusing because it sometimes feels very maze-like.

Where F.E.A.R. excels is in it's gameplay. We deal with human opponents almost exclusively. Some take more damage than others, some have different weapons. But the AI is all the same; and that is fairly good. Not perfect, but good enough to provide a decent and fun challenge. I played the game on medium and it's fairly perfect. I always had plenty of shotgun ammo, plenty of health packs in reserve, which is how I like it. The weapons all felt great. The shotgun and machine gun are your main weapons, with enough space to carry only one other weapon which alternates depending on what you find in each level. It was slightly disappointing that you can only carry three weapons, but that's a minor niggle as the shotgun is great fun.

There could have been a few different enemies. Sure you have turrets, both ceiling-mounted and flying; both of which were very annoying and didn't enhance gameplay at all. Some kind of ghost also makes an appearance occasionally, but these are far too underwhelming. Some sort of challenging ninja enemy, complete with invisibility and very fast manoeuvres makes very few appearances, unfortunately.

The story, which I won't go in to, had a fairly solid premise. Unfortunately there was little storytelling and very few cut scenes throughout the game. Most of the backstory was told through laptops which were too long and boring to sit and listen to throughout the game. Monolith should have put a lot more effort into telling their story.

Overall, F.E.A.R. is a fun romp for around 10 hours, with a successful engine but sadly let down by old skool level design which may have been great for a late-90's/early-2000's game, but in 2005 looks too bland compared to the level of detail of, for instance, Doom 3. 

Phew, finished it without strokes or nightmares. A genuinely creepy game. And that through fairly simple means. Most importantly the lack of weapons. Like I said somewhere else, a game can have the scariest-looking monsters, but it leaves me absolutely unaffected if I have anything to defend myself. So I had quite a few adrenaline rushes here. There aren't too many monster encounters after all (and only a single type), but it's all about the anticipation - and that's most effective here. If you encounter one, you have to run or hide - and hope it doesn't spot you.

Needless to say the darkness plays an important rule, too. A nice touch is that your eyes adapt to the darkness after a moment, but it's imparative to light candles and torches, or use your lantern, in most levels in order to keep your sanity.
The reaction of the player character to prolonged exposure to darkness or scary situations does the rest. I found it really adds to the tension if you hear him shiver and the heart rate go up, and so on. Also what some people might consider cheap scares, like sudden frightful sound effects, or a gush of wind blowing a door open or some candles out.

The puzzles are okay. Mostly adventure-grade stuff of finding and combining items. Nothing to difficult or overly confusing. Nice though because they make for an uneasy feeling as one has to spend more time in such eerie areas.

Story is a bit so-an-so. Does the job, has good elements but also somewhat questionable ones. Classic reverse telling, through scattered diary entries and flashbacks; it felt appropriate at times and not so much at others. There are three endings, though I wouldn't have known about it if I hadn't read it somewhere. 

Thief was always a fantastic game for horror. You're already tense and used to hiding due to the stealth mechanics. When they introduce monsters, it ratchets up a notch perfectly. A human is scary, a zombie that you know is immune to half your gear and will only be stunned by the other half is terrifying :p

The Cradle in Thief 3 is mentioned often but it does deserve the acclaim it gets. I usually don't find games scary, in fact most horror games are hilarious (hi resident evil) As a result from what I've seen of Amnesia I'll probably give it a go. 

Yeah The Cradle was one of the scariest parts to a game i've played. A bit repetitive but the going back in time thing was very well done. 

Phew, finished it without strokes or nightmares.

this sentence alone makes me interested. sadly, well done horror games creep me the fuck out and i usually can never get to the end. i barely finished doom3 and that had predictable scares.

yes. i'm a wuss. :P 

with Amnesia then. It is genuinely scary if you play it the way it is supposed to be played (alone, in a dark room, with headphones on). I haven't finished it myself (yet), but what I have played was excellent because it is scary as shit, yet it is not too hard. Usually scary games are also very hard, but Amnesia has a very good balance (for me). 

SleepwalkR: Indeed. The actual challenge is not to chicken out. ;)

Something I forgot to mention. I liked how the game has you interact with the physics more than usual. What I mean is you don't simply click doors and drawers open, but you basically have to hold them and do the proper motion with the mouse (swing or pull). And you can't easily pick up heavier objects. Some stuff can be carried around in your hand; with other things, like bed frames or big stones, you have to grab them and use the movement keys to slowly and awkwardly drag them. Imagine being threatened by a monster and in panic trying to move a heavy bed in front of a door to keep the monster from entering. 

Or like in Dead Space where you have to shake the mouse in order to free from a monster's stranglehold. Or in some GTA game where armwrestling requires you to do the same. Not to mention the countless classic games, e.g. sports-type, that require button-mashing. It's kind of stupid and back then it annoyed me, but if you think about it, the idea isn't so bad. It can make for a more interactive experience.
I think someone posted an article about this, but I can't remember where is was. 

any good? Currently $5 at Steam. 

I've had that game for I don't know how many years.






You reminded me that I had it. 

Something I forgot to mention. I liked how the game has you interact with the physics more than usual. What I mean is you don't simply click doors and drawers open, but you basically have to hold them and do the proper motion with the mouse (swing or pull). And you can't easily pick up heavier objects. Some stuff can be carried around in your hand; with other things, like bed frames or big stones, you have to grab them and use the movement keys to slowly and awkwardly drag them. Imagine being threatened by a monster and in panic trying to move a heavy bed in front of a door to keep the monster from entering.

i like mechanics like this. i remember playing fahrenheit/indigo had this great mechanic for dialog trees.
normally, you get like a list of 2 to 5 things you can say and the game just pauses while you pick what you want. you can spend a minute thinking about it. but in fahrenheit there was a timer of about 5 to 10 seconds depending on difficulty but also how quickly the other character was supposed to answer... and if you answer slowly, the other characters would pick up on it. on top of that, you had to make a semi complex mouse movement which, when you're being drilled by a cop can be pretty difficult. it actually made navigating dialog trees tense. 

it only came out in 2009! Unless you're talking about Riddick - Butcher Bay which I highly recommend. 

Nope, according to direct2drive I bought it on 9.14.09 but I just forgot I had it.

I apparently also have STALKER. 

Wow, another sci-fi first person shooter. Having just completed Rogue Trooper and talking about how similar it is to every other sci-fi shooter from Halo to Unreal 2, Pariah is identical again.

According to the story you're transporting an infected prisoner when your shot down by scavengers into a wasteland that was once Earth. If this game is supposed to take place in wastelands, then the designers failed miserably. Instead we have a mix of outdoor terrain and enemy bases. The Unreal Engine 2.5 looks like it's starting to date in Pariah; there are other games with much better graphics. The level design is a real mix; the indoor areas are often nicely detailed, high-tech and look quite good. The terrain is also fairly decent looking, but doesn't have anywhere near the crisp detail of Far Cry. However some of the bigger buildings can feel quite blocky, especially from the outside.

The gameplay is a little weaker than the design. Unfortunately it's another checkpoint system game so no quicksaves. I didn't have to replay too much of the game because of this, but it does force me to play very carefully. The two end battles were too difficult and long considering you have no quicksave. As were the on-rails sections which included a couple of vehicle levels and train levels; all of which were terrible. Perhaps it was my configuration, but the vehicles were steered using the mouselook instead of left/right keys. So if you want to go left, move your mouse left. This meant trying to shoot enemies from the vehicle was extremely difficult, and forget about attempting reverse.

The first train level just seemed to go on forever; repetitive wouldn't be a strong enough word. While the other had you completing a massive jump, which I failed the first two times because I didn't use the quickrun key, only to find the game didn't bother to add a checkpoint before this jump so I ended up playing half of this level 3-4 times over. Once was already too much.

Your enemies aren't too bad, they do provide a bit of challenge and fun. They are, naturally, all the same humans. Little variation apart from a slightly different human model/skin and different weapons and health. What spoilt the gameplay a little were the poor weapons. The shotgun was useless, the machine gun seemed to spray bullets all over the place and lacked power. Your also have a plasma gun which you're forced to use quite a lot since most of the ammo pickups are for this gun. It's not a fun gun... the firing is slow and at an annoying angle which takes some getting used to.

I guess it should be said that I liked this game enough to play it almost all in one sitting (just one coffee and cake break). That being said, it must have only been a 5-6 hour game. Overall, average gameplay and design/environments that we've all seen before; only pick up this game if you really love the sci-fi/base theme.

Digital Extremes' next release, Warpath, was originally a sequel to Pariah hence many similarities. But due to Pariah being a commercial flop, it was turned into a different game. However it was an even bigger flop than Pariah. 

Batman: Arkham Asylum, which is really kind of like an old school action/adventure/puzzle arcade game with modern day graphics and scale.

Loving it so far. 

one of the few games I've bothered to try and 100%