I've maxed out my phone's brightness and still can't see anything on those screenshots besides a faint light in the ceiling.

Have you increased the gamma brightness in the engine, and are using low brightness in the map's lights to compensate? 

Yeah, I always have gamma/brightness set to 0. Its just a dark room with only dark orange and dark blue coloured lights, cause its dark. DARK! My monitor is set at low brightness as well, and its still very visible on my end, but I usually go about adding white light sources to the map later on to brighten things up. I also just threw those lights in to take a screen, the map isn't anywhere nears complete.

Also yeah I can't see anything on my tablet either so I think I bigger screen makes a difference. 

I played RTCW recently. Need to finish it though. I had the same idea you are doing now. using those amazing textures for a Quake level. I won't have time for many months to do something so I am very excited to see your work on this!

The screens look promising! 

fiddle with the colors of the coloured lights and they will never suck.

For the darkness, they are a bit dark but i think that is almost spot on for the first. 

I can't see anything on my tablet either so I think I bigger screen makes a difference.

Yeah, I'm on my 40 inch TV right now and can see it. Still too dark to analyze the texture quality, though. 

Not going to post this elsewhere, as it's very unfinished, but here's a fullbright screenshot from yesterday.

There are dozens of other textures that I've been creating with the same level of quality, maybe hundreds. Still some more hundreds to go.

However, I get easily demotivated when trying to actually create maps. Anyway, maybe someday this will become something... 

it will help with motivation 

Serious business. Listen to him. 

Well, the maps I'm creating are headed towards environment art rather than gameplay, since their purpose is to showcase the renderer's abilities. In the end I'll merge all of them in a single map, if there's enough memory.

Probably the main creative block I'm having is that textures are self-contained. All the ones I'm creating are photosourced, so they only require artistic sensibility, not artistic creativity, while mapping is a more open-ended task and therefore does actually require creativity.

It's easy for me to create photosourced textures, no matter how depressed I'm feeling. Mapping is a lot harder, not just to envision pleasant environments but also to make them fun. It seems to require a pleasant & playful state of mind.

My current approach is to create textures, try to figure out good matches between them, and to create structural pieces out of those matches (walls, columns, ceilings, etc).
Trying to figure out good matches between those structural pieces and creating good environmental structures out of them is exponentially harder. But it should eventually happen. 

Shambler, how much for the rights? 

I think the secret is to light it to let the player see everything, but still trick it into looking like deep darkness. Like night scenes in the movies that are shot on broad daylight with a black background. Maybe high contrast with dark colored lights would do the trick.

This kind of "old mansion" set is one of my favorites. Loving this one. 

More Sexy Quake Screenshots! Give us an erection, dammit! 

I'm trying to make map with Trenchbroom 2.0 instead JACK and Radiant.

https://i.imgur.com/nxkJboU.png 

I feel doom stricken already, Keep it up! 

Classic style. Nice lighting. 

I too like the style. 

Thanks for feedback, guys.

I did not work on the lighting at all, just placed the light sources through approximately equal distance between them. Even intensity of not drive the money changers.

Now I hasn't decided to make light in old school or more modern. But in General, the map will be most likely simple by design, doom-like geometry (without a large vertical gameplay). 

congrats looking like you are taking to TB2 nicely. 

Thanks for your TB2-tutorials, it very helpful for me. 

@Chillo

You do some awesome Model work.
The only thing I'm not too fond of in that last ogre is the Silver metalic looking "Q" sign. It's a bit distracting. Your other models in your 1.6 pack are great too. 

lighting

I recently discovered linear attenuation + fading and some better sunlight shaders :D 

Great stuff, looks faithful to the '98 era. 

I'm relieved to finally have the lighting figured out for the most part...