absolutely love it! Perfect texturing, and what looks like nice dirtmap lighting... and the transparent textures too! Great example of using new techniques but keeping an authentic quake feel. 

love the sense of scale and atmosphere in that first shot.

second shot looks properly damp and dreary too. 

 

cubespew is spreading to the other quakes

but, yeah, what's going on on the floor in the first shot? it looks ... painted over? 

unless quake can do reflective water suddenly, then yeah it sure looks like a shoop.

Dude says it's a "concept" tho, so I guess it's a...concept. 

Yeah, it's partly shopped, don't want to throw away anymore brushwork so I'll be painting over primitives before building them. It's convenient to be able to make your own reference. 

Not Quake, but whatever ... I finally finished a contest scene and submitted something.

MODO, Substance Painter and Unreal Engine 4.

http://www.polycount.com/forum/showpost.php?p=2272200&postcount=8

Moving on ... Qonquer map jam and then who knows! 

Why not make one of those? little people maps have been a staple part of maps for a long time :)

https://www.youtube.com/watch?v=2FRkAat9ROA 

Bedroom maps are a staple of every UT game. Many will be made, trust me. That's not a niche that needs filling. 

...inside crates! 

Absolutely wonderful stuff! I love the details here, so authentic and personal. Love the Far Side calendar, and all the games and tapes. Zork! Bards Tale! Slayer mixtapes! Coffee rings on the dungeon map. Great attention to detail.

Also I guess all the fingerprints and griminess was substance painter? Looks like a sweet tool.

Probably a bit too late for construction criticism, but if not, I thought the empty cans looked a bit sketchy, and I would've preferred the carpet if it was dirtyish and more of a subdued colour. Also where the hell are the cheeto crumbs?

Overall though, amazing composition and really shows off your modelling / materials skills. Makes me want to get an oculus rift and just sit there.

You should make the full house and set a whole game there. 

make the commodore playable obviously ;) 

Thanks a lot!

Yeah, it was all done with Substance Painter, actually. It's all I want to use for texturing these days... 

do it... 

 

Soon.

https://dl.dropboxusercontent.com/u/161473/Misc/OBJ2MAP_A.jpg 

so stoked! 

Instead of a trailer, I'll offer you a trailer for a trailer!

Why not a screenshot for a screenshot? 

Awesome.

related to that, I've been playing with qbsp a bit and trying to get it to load .obj's directly, like the q3 utils could do with misc_model, and it seems pretty promising. the disadvantage is there's no collision against the model, since I don't reconstruct brushes like you are. 

Too bad Quake doesn't have a weapon clip etc, because I wouldn't mind having to make my own collision.

Guess you'd need to do something funky with skip textured func_walls to make the collision for a misc_model? 

ericw - That sounds more useful than what I'm doing. :P Honestly, I tried that at one point as well - inserting model triangles directly into the BSP but I didn't understand the code well enough to get any real headway on it.

That code is ... well, let's face it, it's a mess. 

ericw - that sounds awesome - does lighting work with them? I can see that being a good way to get things like decent dead trees and whatnot 

I tried an experiment like that a while back - I wrote a program that took a bunch of triangles and stuck an extra vert on the back, pulled out a little to create a tetrahedron, which I then wrote out as a brush in a .map. An optimisation could be used when, depending on the topology, pairs, or trios of model triangles had a convex relationship and could be used in a single tetrahedron brush, which brought the complexity down a little bit.

It worked very well, but I found that when used on a large-ish scale, e.g. to create big cave systems, all those funky planes would caused the bsp compiler to go bananas and generate microleaks. Made no real difference even if i made sure all tetradedron verts were snapped to grid.

In these days of detail brushes however, it might not be so much of an issue...