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Without a doubt. But I will say that the mapper has to learn the limitations made by the engine so they tend to understand what they can or cannot do. The guy who makes the foundation doesn't always know what will be built upon it so it has to be both robust and flexible. Carmack did that well and I have a lot of respect for what he did. But, his vision was in programming the engine and what it could do, not the levels themselves.
Doom and Quake were both built upon Carmack's engines. What came out of it wasn't Carmacks doing any more than any work of art was made by the people manufacturing the paint, stretching the canvas or quarrying the stone. I think at some point he made some deliberate decisions relating to what sort of game he wanted to see, including its environments; he seems to have dealt with mappers' requests with impatience. I think he did have a vision of the games and that the limitations of his programming reflected that. The artists worked within his context and that context was certainly not mostly unconscious.
I understand the analogy somewhat, but I think that creating an innovative engine is a bit different from manufacturing some generic tools for artists. You can't do the former without a slightest idea of what you want to see in a finished product. That's the problem with Carmack's latest efforts - they're too focused on certain goals, and therefore are less flexible.
Holy hell
I don't know why the argument that Carmack never made a level raised it's head here, but it was never argued that he HAD so we can leave that one outside for now. Technologically speaking, the quote is correct. Ask any artist (at least the ones I know) if they'd prefer tiling textures or unique textures and they will almost always choose unique. Tiling textures, however, are more realistic for shipping games but I think that's more of a workflow/storage issue than a visual or aesthetics one. So if uniquely texturing worlds ever becomes as easy, workflow wise, as applying tiling textures you can bet money that it will become the standard. Also, unique textures =/= realism.
To me, megatexturing just makes the art (realistic, surreal, cartoony, whatever) more rich and interesting. So good. I remember these... Are they lost forever, or are you advertising that you have the source?
please tell me you will be finishing those, neg!!! i loved them back when he started them and they are still amazing.
I don't have the source. Just stumbled upon the screenshot while searching for a particular video for mocking sock and thought I'd share them for inspiration.
not the sources, no. these were maps Kell made during Quoth dev that he had originally intended to make into an episode. Unfortunately, what you see is most of what there is.
that looks super cool!
If only the egyptian enemies from rogue weren't so shit they'd fit in so well there. Agree! Maybe the altered ones from Drake? Certainly a few centroids would fit the setting!
By the way, holy hit You map fast! I really have to get trenchbroom working. Also shame about the kell source. Great inspiration for a new subtheme though http://scampie.net/wp/?p=102
http://scampie.net/etc/mapshots/junk/ Some good, some bad... most will never be finished, some my get reworked someday. Who knows! It is really weird to me that someone took the Wasted set I uprezzed and repainted for Quake3, based on the Quake2 set, and downrezzed them for a Quake1 wad.
also, dunwich is too cute not to finish. maps with little houses and graves are neat. put the castle in that nero shot at the end of it. And i was thinking that no one mapped for DoE because it is a mythos and in reality it doesn't exist
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