The Reckless Moment (1949) - pretty decent noirish drama from Max Ophuls held together by taut direction and good performances from Joan Bennett and James Mason.
http://www.imdb.com/title/tt0041786/
6.5-7/10
Sabotage (1936) - minor early Hitchcock that lacks a bit of the suspense he was famous for but makes up for it somewhat with the dry british humour that was also his trademark.
Also this is the movie with the 'film is flammable' warning scene that was used in
Inglorious Basterds.
http://www.imdb.com/title/tt0028212/
5.5-6/10
Secret Sunshine (2007) - overly long and slow but fantastically acted korean film about a woman who decides to settle in the hometown of her recently deceased husband. There, she starts to be build a new life (and also learns more about the husband she never really got along with while he was alive) when another tragedy strikes. The rest of the film is about her coping with both events with the assistance of some of the townsfolk and it takes some pretty interesting directions, even though it takes far too long to eventually reach the open ended conclusion.
Still, has some very strong scenes, and the performances, particularly from lead actress Jeon De-Yeon, are stunning.
http://www.imdb.com/title/tt0817225/
6.5/10
Session 9 (2001) - from what I've seen of him (
The Machinist, Transsiberian), director Brad Anderson has his Hitchcock down pat and its again on display here, a moody, brooding slow burn psychological horror film about an asbestos crew working on an abandoned mental hospital with a hidden secret that seems to be surfacing more and more each day.
The film makes great use of its location setting which, combined with the excellent sound design, lends the whole thing a very creepy atmosphere. Unfortunately, the script isnt quite as strong or all that original (an issue for each of Anderson's other films too) but given the lean pickings of quality horror films these days, it's a reasonable effort.
http://www.imdb.com/title/tt0261983/
6-6.5/10
Splendor in the Grass (1961) - Elia Kazan's tragic love story may appear dated but only if you discount the fact that its actually set in the 1920's and overlook the stunning central performances by Natalie Wood and Warren Beatty. The first few scenes dont really ring true, almost playing like a fairy tale rather than a realistic romance, but the rest of it is stunning stuff, especially the understated final scenes.
http://www.imdb.com/title/tt0055471/
7.5/10
Three Monkeys (2008) - slow but extremely well made Turkish film that manages to successfully get you inside the head of each of its characters even when they are doing mundane things. And once it achieves that, it then successfully manipulates you so that the plotting feels unexpected even though most of it actually isnt.
Focusing on a lower class family in Istanbul, it explores the domino like effect of the father's decision to go to jail on his boss's behalf in exchange for money. Special mention must go to the digitally graded cinematography which plays around with the colour and saturation of each shot to reflect the mood and thoughts of the characters.
http://www.imdb.com/title/tt1233381/
7.5/10
Ashes of Time Redux Version (2009) - I think that Wong Kar Wai has made 2 great films and a whole bunch of others that vary from being moderately successful to stylish rubbish. And the 2 great films have pretty much been his more recent output which comes across as less fractured, more comfortable with its tone and shot with an actual script.
This particular one is an interesting one because it was made early in Wong Kar Wai's career (1993) but was re-edited and touched up earlier last year. I cant really compare since I havent seen the original version but the redux version definitely feels like the new Wong Kar Wai, to an extent. There are still elements here, mainly stylistic ones, that he coudlnt alter without a complete overhaul but on the whole, it displays the qualities I mentioned above.
So what is it? An existential arthouse historical swordfighting film with all of China's then biggest stars in which there is far more emphasis on mood and posturing than actual fight scenes. But its probably also his best film apart from
In the Mood for Love and
2046.
http://www.imdb.com/title/tt0109688/
6.5-7/10