if you get it you get it, but wish you didnt.
if you dont get it - thats even better. 

First off, a question: Monsto, have you actually PLAYED any Q1SP maps in the last couple years? Specificly such acclaimed pieces as APSP1, Koohoo, or CZG07? You cite The Wizard's Manse as being dark instead of atmospheric, but that's not fair because that map is 7 years old and shipped with the original game. Try comparing with more recent maps that were made by the people you're so confused about.

Most Q1SP maps released these days have r_speeds peak at around 600 to 700. I don't feel that Q3 maps really have a lot more detail aside from curves, shaders, and transparencies. Much of the extra polys that you get in Q3 are also attributable to the increased proficiency of the BSP process (for example one rectangular wall in Q1 can easily be 8 polys, while the same wall in Q3 would be 2).

I also quite feel that there has not been a decent SP FPS game released since Quake. There have been several good games, but none really have both decent gameplay and good visuals. Alice and FAKK2 came close, but Alice's gameplay wasn't quite good enough (plus the tools were never released grr) and FAKK2 was just a bit too restrictive IMHO.

Many of the factors that led to Q1 being so good have yet to fully be reproduced in other games. Q1 had great monsters that you can put together in a map in almost ANY combination, unlike games like RtCW which are specificly themed and not compatible. The monsters would also go well with nearly any texture theme, be it industrial, base, medieval, sci fi, surreal, egyptian, or all of the above. Q1 had good progressive weapons. Q1 let you package custom textures with the .bsp, which was not really reproduced until Q3. Q1 had various quirks (such as no-bounce lighting) that lent it an arcane air and theme of its own.

Furthermore, Q1DM is just plain fun. CPMA is really the only other DM game that has since come close to dethroning it, and it would except for the poor theme of the Q3 items.

I'm very interested in mapping for Enclave, but Starbreeze hasn't released the tools, and wrath is getting more and more vitriol with my incessant pestering. 

i definitly love you now. 

It was mentioned heavily in the "Why Don't You Lot Map for More Recent Games Then??" and I mentioned it briefly in my post above, but another reason I map for Q1 is because it is not restrictive in the themes that are possible. HL, NOLF, etc, are fun games but restrict you severely in the themes that you are allowed to create. It restricts you in what the player/enemies fit in, but also in what the items and other things fit in. Q1's low pallete and gritty feel creates a vagueness that allows you to use almost anything, as long as it's still gritty. 

[21:59:44] (!inertia) k this discussion is foolish: if you dont recognize that q1 is actually DRIPPING with atmosphere, then you wont ever understand the arguments presented here. it`s a "you either get it or you don`t" kinda thing, and one can only rationalize and quantize something like atmosphere so much, until you reach a point in which its just THERE 

[22:01:33] (!Speeds) inertia: why not discuss
[22:01:52] (!Speeds) "u either get it or not" is kinda arrogant

OK. Well my take on the issue of atmoshpere in q1 boils down to the apparent fact that, yes, issues such as lighting, color pallete, game physics, game models and textures, et cetera, contribute to the atmosphere... but in my opinion it is the sum of all these parts that creates a game`s atmosphere. The sum of these parts in q1 is of such a high quality that many of us are still mapping for the game 7 years after its initial release. I know that we are a minority on the internet, but can anyone think of any other games with such a dedicated (fanatical?) and skilled community? I cant either, and I think that there is a very, very persuasive reason for us to still be here: love of the game. And part of the game is its atmosphere.

fin 

<quote>I know that we are a minority on the internet, but can anyone think of any other games with such a dedicated (fanatical?) and skilled community?<quote>

Sorry, I meant to include that I`m talking about games that have moved past their prime in popularity (most of the time after the game`s release). 

Doom has a very loyal fanbase. They probably continue on for much the same reasons we do. 

monsto is not flaming or trolling. He's just honestly trying to understand. So please don't be hostile, mmkay? 

...that`s all. 

This is a very difficult thing to answer. It does pretty much come down to 'you either get it or you don't' - and that's not meant to be harsh or dismissive; it's an expression of the intagability of Quake's achievement. inertia talked of the 'sum of its parts': I have always talked about Quake, and mapping in general, in similar terms. Any great individual map, game or any piece of art for that matter instills in us a sense of something, some quality, that makes the whole *greater* than the sum of its parts. Quake ceased to be a game almost immediately upon its release - Quake is not a game, it is a phenomenon. That I define as a conglomeration of specific pieces of work and a multitude of concepts, all of which can be endlessly contemplated and expressed well beyond the initial experience. As a tangent, I offer Star Wars as a prime example: how many characters, planets, vehicles, stories etc. are there that not only *have* been invented within that diagesis, but *could* be.
The most affecting result of the combined elements of an invented world is its overall *subliminal* impression on the audience - what, for want of any other word, can be called atmosphere. And Quake shovels on the atmosphere like dirt on a grave.
Atmosphere is that which evokes a non-specific feeling of time and place; it is not conveyed solely via the particulars of theme, style or detail; it is a combination of elements that conspires to elicit a completeness so that the viewer/player no longer responds intellectually to one part after another but instead completes the illusion of reality with *their own imagination* - and therein lies the key. When one's subconcious is actively participating in the conspiracy of illusion, only a handful of polys and a limited color palette are enough to convince us that this is not merely a 'monster' - a thing to be moused at until it activates its death animation - this is a *shambler*: a hulking, lumbering parody of human form, a thing "not wholly ape and not wholly insect" undilluted by such comforting familiarity as facial features or recognisable speech. It spreads its blood soaked talons ( blood; not red pixels....blood ) impossibly wide as it reaches with terrible strength to tear our body apart. Fight it, quickly and fearlessly, lest you join the sodden chunks of flesh that already litter the ground. That's what makes the whole greater than the sum of its parts. That's Quake.

Indeed, Quake is not the only game that bears this out; I would personally cite Half-Life as having the same effect on me. And many other games, not just FPSs: Elite and Dungeon Keeper being two that spring to mind. The attraction to Quake is the unusual psychological depth at which this quality is grounded.
I think a clarification is needed: your question is not "why do we play Quake" but "why do we *map* for Quake". And that's a significant difference. As Phait now relentlessly quotes me as saying, mappers are all raving egotists really. I think I speak for most custom mappers when I say that we aren't mapping to satisfy anyones' inspiration but our own. If other people get something out of what we do, even better. Obviously, if you write a book you want it to be read; shoot a movie and you want it to be seen; build a map and you want it to be played. But first and foremost, we have our own creative compulsion to answer. The more subconcious and vaguely defined a phenomenon is, the easier to create within it.
With Quake, I can dream in many shades of dark and gory and give them tangible form with essentially no restrictions. Limited poly/brush count and an indexed color palette are only restrictions if that is what you measure your experience by. I don't, and given the indisputable impact of Quake on so many minds I'm confident that it isn't really what makes a memorable experience for others. If it were, the only motivation anyone would have would be the ascension of technical achievement. And if that was the only motivation, no-one would have made Quake in the first place.
Quake, by a combination of its true 3D rendering and inventive setting, opened up a limitless realm of possibilities into which we can pour our imaginations without fear of ever reaching the end. 

A little melodramatic, but I agree. This is one of the more intelligent and deep-thinking threads I have seen recently. 

. . . that what he'd said about "quake is without a doubt the best fps ever made" is quite a fanboy statement. . . but i'm not calling him a fanboy.

?? does that make sense? saying that Quake is a phenom expresses "your" attachment to the game which would express why "you" map for it, but it doesn't explain the general appeal to mappers.

Best i can figure is that it's like ludes or mushrooms on pizza. Some like it, some dont. 

i hate ludes on pizza 

wtf is a lude