 Little Kid? Eh?
#1266 posted by BlackDog on 2005/08/08 02:53:20
Try aged fifty. If you've read the book, anyway.
#1267 posted by Zwiffle on 2005/08/08 09:32:10
I thought he was like 33. And Bilbo was like 133.A Long Expected Party or somesuch.
 Blackdog:
#1268 posted by metlslime on 2005/08/08 12:14:48
sure, but hobbits mature even slower than human boys!
 So
#1269 posted by Zwiffle on 2005/08/08 14:21:53
A 33 year old hobbit is like a 10 year old boy??? FINALLY A LOOPHOLE!!!!
/end pedo
 Time Travelling Hobbits And Other Stories
#1270 posted by Preach on 2005/08/08 14:54:48
My understanding was that in the book a long time passed between Bilbo's eleventeenth birthday and the war of the ring/Frodo setting out, so he was about 50 when he left. In the film they changed this for pacing reasons, so Frodo only had the ring for a few months before he set out to destroy it. Sorry to disappoint, Zwiffle...
#1271 posted by Zwiffle on 2005/08/08 20:37:53
50 is still like 15 in hobbit years, right?
 And More
#1272 posted by nitin on 2005/08/09 03:47:04
Il Mare- Quite good korean film which relies more on mood than anything else. The slow style suits the story but the ending falls into the familiar paradox pitfalls that plague most time travel films. Still worth watching.
Memories of Murder - Excellent film based around the investigation into Korea's first serial killings. Seven and Silence of the Lambs aside, this is better than most serial killer films that come out of the US and is easily one of the more intelligent films in the genre.
 Il Mare
#1273 posted by Blitz on 2005/08/09 16:35:22
I heard about that one somewhere else, and it looked really good. I'll try and find it now that it has the nitin approval.
 War Of The Worlds
#1274 posted by anonymous user on 2005/08/10 16:43:22
spot on, sham
but rewatching it at home on dvd was kinda boring
 Hi
#1275 posted by jojo on 2005/08/10 16:48:08
hi
 3-iron
#1276 posted by nitin on 2005/08/17 03:04:32
Korean film by Kim Ki-Duk and its a very low key but enthralling movie for the slowly but effectively built first two thirds. Its an unusual story with hardly any dialogue between the two leads but the writing, acting and cinematography are strong enough to get you into it.
Then comes the last third, which depending on your own point of view, will either make you appreciate the film more or, like me, or will make you wish the initial premise was stuck to.
I thought the last third came off as showy and pretentious while the first two thirds were effortless in their engagement.
Still, worth a watch, chances are more people than not will like the last act more than me.
 Views?
#1277 posted by Shambler on 2005/08/17 12:17:42
The Descent - any good? I used to like the odd bit of horror (well, Hellraiser anyway), but watching Event Horizon scared so many shades of crap out of me that I haven't watched any since. I've heard The Descent is pretty good and quite scary - would it be worth a look as an example of the modern horror film?
 Shambler
#1278 posted by nitin at work on 2005/08/17 21:40:49
daz posted his thoughts (he liked it) earlier on.
And scared by Event Horizon? Was that sarcasm or seriousness?
 Bleh
#1279 posted by Shambler on 2005/08/18 02:39:52
Finally, took long enough to find Daz's comments.
Anyone else got any??
And yes, I'm serious, myself and a friend saw it in the cinema and although were we both blase about violence, horror etc etc, it freaked us out no end. In fact I had to go home and play Quake for 6 hours solid before I could sleep =). Yeah so some film buffs might be "whatever" about it, but I've been somewhat vindicated that whenever the subject of scary films is raised online amongst the supposedly unshockable gaming/internet community, EH always gets mentioned as something that freaked people out. So, there :P
 Easy On The Shambler
#1280 posted by HeadThump on 2005/08/18 05:20:32
It was a weak movie, plot wise, but I agree, it was also pretty damn scary.
 Event Horizon?
#1281 posted by metlslime on 2005/08/18 14:20:16
yeah, it really was scary, at least until about the halfway mark. Then it got really silly.
 Harold And Maude
#1282 posted by pope on 2005/08/18 23:12:34
loved it, just fucking loved it.
C'mon it has a Jaguar automobile converted into a hearse!! Bud Corts' character 'Harold' is phenomenal, spot on, all that and a bit more.
there's also quite the underlying story that is explained only after putting together a lot of the details maude gives about her life/past.
http://imdb.com/title/tt0067185/
 Yeppers
#1283 posted by pjw on 2005/08/19 10:17:04
Harold and Maude does indeed kick much ass. Probably in my top 20 or so...
 Seul Contre Tous
#1284 posted by bambuz on 2005/08/22 11:09:08
I saw this movie in a theatre when it came out in 1998.
It's called "I Stand Alone" in USA and is directed by Gaspar Noe.
It's a picture of a french butcher. I hate when the plot is exposed so I just say that you should watch it. (to all people over 18 and mentally stable). It's quite brutal, but that's not the point in it. It's also not beautiful at all. I still think it's highly worth watching. I haven't seen other movies quite like this although several have tried to do that kind of stuff after this movie's success, but they have missed the point and just ran on violence. I think it tries to portray a person's mind, where movies are often really bad at.
http://www.imdb.com/title/tt0157016/
 The Seventh Seal
#1285 posted by nitin on 2005/08/24 06:38:56
I thought I may as well make Bergman's most famous film my second viewing of his work. This was very impressive, I cant quite put my finger on what aspect(s) of this I liked, but on the whole this was extremely well made. A little more understatment in some bits would have made this even greater.
 There Is Something
#1286 posted by HeadThump on 2005/08/24 10:41:01
very elemental about that movie.
#1287 posted by nitin on 2005/08/26 19:58:27
The Interpreter - Not a bad film, but just not very good either. It's competently made, acted and directed but is never really involving, mostly due to a bland script. All involved have done better.
 The Interpreter
#1288 posted by inertia on 2005/08/26 23:10:42
I found to be good, but focused too much on character development and not enough on the more interesting political side... it could have carried more of "a message," as opposed to tragedies involving specific people.
Of course, political messages don't survive too long in the media without some interesting personalities to communicate it :)
 It Takes A Rare Artist,
#1289 posted by HeadThump on 2005/08/27 00:09:19
a Graham Greene or an Ayn Rand who can orient their art around a political credo without killing the art. Le Carre for one is one who couldn't. His early works like The Spy Who Came In From The Cold took place in a political
milieu but were not at all ideological, and they were damn good, but his later works suffers from trying to be politicaly relevant.
Except for documentaries, I prefer the guilds of Hollywood to stay far away from politics because they often don't have enough awareness of history or social reality to know what they are talking about, like the Robert Redford movie Havana which casts the ousted dictator Batista, a black man in life, as a blonde haired, blue eyed villian (Kaufman, the director, sincerely did not know).
Documetaries are a different story. Fahrenheit 911*, Waco: Rules of Engagement, Atomic Cafe, all were worth seeing (even if you think Moore is a punk, like I do, the movie is still worth seeing).
 Interpreter
#1290 posted by nitin on 2005/08/27 02:10:55
well I didnt mind the character building stuff, that was actually done well, but the thriller aspect of it was non-existant. There was zero suspense and some rather truck sized plot holes.
Graham Greene was demonstrated well in the recent The Quiet American. Captured the political aspect well despite apparing to be about 3 characters and their experiences.
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